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Conception of Jew in the Czech film during the Second Republic and the Protectorate
Gregorová, Vanda ; Nosek, Bedřich (advisor) ; Holubová, Markéta (referee)
The thesis "Conception of Jew in the Czech film during the Second Republic and the Protectorate" deals with ways of displaying characters of Jewish figures in the film in the period. It deals with Czech films made between the years 1939-1945, which appears Jewish character, then their analysis and evaluation of whether the film antisemitic sting occurred or not. The work focuses primarily on Czech film production, but also mentions characteristically related films made in Nazi Germany. The work uses for its purposes also newspapers of the mentioned period and compile the available literature. Powered by TCPDF (www.tcpdf.org)
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The Role of Propaganda in Germany in the Years 1933-1939
Ludvíková, Šárka ; Dolanský, Pavel (advisor) ; Shavit, Anna (referee)
The aim of this bachelor thesis is to present usage of propaganda and instruments to achieve the National Socialist German Workers' Party's objectives and goals in the period between 1933 and 1939. Besides describing the particular means of manipulating people's minds, it also deals with the concept of propaganda, it places the Nazi propaganda into its historical context and connects it with minister Joseph Goebbels. The first part provides the theoretical background to the topic. It deals with the historical development of propaganda and its name. The next chapter describes the historical events, which shaped the use of propaganda in Nazi Germany and helps us understand the ways propaganda developed. The third chapter focuses strictly at Joseph Goebbels and his Ministry for People's Enlightenment and Propaganda. The last, crucial part of this thesis describes the unique way the Nazis used the available media to spread their propaganda. It describes the totality of control of the Nazi party over the media in Germany and the unique position they had so they could adapt their message to apply their propaganda successfully and influence public opinion.
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The reflection of German cinematography in the Czech film press 1936-1939
Klvaňová, Veronika ; Bednařík, Petr (advisor) ; Dominik, Šimon (referee)
Bachelor thesis "Reflection of German cinematography in selected Czech film periodicals from 1936 till March 1939" records in what way Czech film periodicals reacted to the development and changes of the German cinematography in context of political and social transformations both nations underwent during the above-mentioned period. The thesis focuses on whether the film periodicals changed the way they reflected German cinematography during the period of escalating Nazi aggression towards Czechoslovakia and especially in the situation after the acceptance of Munich Agreement. The opening section covers broader historical and media context of Czechoslovakia in the era of the First Czechoslovak Republic. The next part describes and characterizes analysed film periodicals, weekly Kinorevue, Filmový kurýr and biweekly Filmové listy. Separate chapter is focused on German cinematography from its development during the period of mute films, throughout the changes caused by the introduction of audio films, until the German film industry was put under state control by Hitler and the film was used as a tool of Nazi propaganda. The final section deals with comparative analysis of articles in the above-mentioned periodicals reflecting German cinematography. The goal of this thesis is to find out, whether the...
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The Portrayal of Women in Czech Film in Times of Dictatorship
Havlíčková, Michaela ; Bednařík, Petr (advisor) ; Štoll, Martin (referee)
The thesis about The Portrayal of Women in Czech Film in Times of Dictatorship is examining the female characters in the movies influenced by nazi and communist propaganda. The main objective is to find out the similarities and differences that are typical for the Czech movies of those times. In the case of the movies influenced by communist propaganda and ideology, this thesis is examining those made in the period between 1948-1956. In order to analyse female characters, 15 movies were chosen for this task after making sure they fulfill the condition of woman playing the main of one of the main roles. The theoretical part of this work is dedicated to the anchoring of the topic, therefore there are sections about propaganda, nazi and communist propaganda, development of Czech cinematography and the role of women in nazi and communist ideology. For the purposes of analyses in practical part of the thesis, I use Jens' Eder model - The Clock of Character.
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Image of the Sumava in Feature Film
Klímová, Lenka ; Koura, Petr (advisor) ; Hnilica, Jiří (referee)
The preliminary part of the work Image of the Šumava in feature film deals with the Šumava area, its origin, area, climate, waters, natural disasters, agriculture, industry, crafts and everyday life in Šumava. The aim of the work is to occupy with films which were filmed in Šumava. In this films Šumava plays either the main part, where the directors set the plot of the film in the area of Šumava intentionally or it is just backround to the main plot of the film. There are also some pictures or posters of the films and some cuttings from periodicals in this work. The work is based on contemporary and secondary Czech and foreign literature, Czech and foreign periodicals, internet sources or professional and personal analysis of the films themselves. KEYWORDS Šumava and cinematography, Nazi propaganda, communist propaganda
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Radio Broadcasting for the German Minority in the Czech lands until 1945 with an emphasis of the Mělník Brodcast Transmitter
Matunová, Alena ; Cebe, Jan (advisor) ; Knapík, Jiří (referee)
The thesis Radio Broadcasting for the German Minority in the Czech Countries until the Year 1945, with the Example of the Melnik Broadcast Transmitter describes the radio broadcasting for the German people living in Bohemia and Moravia in the period from its formation until the year 1945. It concentrates on the radio broadcaster in Melnik that was built in 1938 with the purpose of giving a special broadcasting to the German minority living in the Czech countries. The analytical part is divided into three sections: broadcasting for the Germans in the First and Second Republic and Protectorate of Bohemia and Moravia. Another chapter focuses on the broadcasting from The Soviet Union (especially on the broadcaster Sudetendeutscher Freiheitssender) and Great Britain. It focuses on the contrasting access to the radio broadcasting for this group from the side of the Czech political representation and from the side of the German state. In the Czechoslovakia, there was this broadcasting in hands of the private institution Urania. The Sudeten Germans have focused their attention to the German stations, which were offering them more popular program. This study describes the influence of the German propaganda on the Sudeten Germans behaviour and the reaction of the Czechoslovakian Broadcasting Company. It...
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Conception of Jew in the Czech film during the Second Republic and the Protectorate
Gregorová, Vanda ; Nosek, Bedřich (advisor) ; Holubová, Markéta (referee)
The thesis "Conception of Jew in the Czech film during the Second Republic and the Protectorate" deals with ways of displaying characters of Jewish figures in the film in the period. It deals with Czech films made between the years 1939-1945, which appears Jewish character, then their analysis and evaluation of whether the film antisemitic sting occurred or not. The work focuses primarily on Czech film production, but also mentions characteristically related films made in Nazi Germany. The work uses for its purposes also newspapers of the mentioned period and compile the available literature. Powered by TCPDF (www.tcpdf.org)
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The Truth Will Win 1938 anti-Czechoslovak broadcast of Vienna radio
Cvachovcová, Klára ; Suk, Pavel (advisor) ; Knapík, Jiří (referee)
This thesis concentrates on 1938 radio broadcast Pravda vítězí (The Truth Will Win), broadcasted from Vienna in both Czech and Slovak languages in the two months preceding and following the signing of the Munich agreement. Its theoretical part follows the genesis of the two broadcasts, the personalities involved and also the connection between Pravda vítězí and Vlajka, the infamous Czech fascist movement. In the practical part, Nazi propaganda themes are being analyzed in both broadcasts during October 1938. Main focus is on the campaigns against president Beneš, against freemasonry and bolshevism, pro-German campaign and antisemitism. In the Slovak language broadcast, anti-Czech campaign was a significant part of the Nazi propaganda, along with the support of Slovak separatism. Comparison of the ideological focus and goals of both broadcasts is supported by numerous quotations. In the final part, the thesis offers a brief look at the reactions to the broadcasts. Also, it attempts to evaluate the broadcasts' possible effects on both Czech and Slovak audience in the light of its primary goal - the disintegration of Czechoslovakia.
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The Role of Propaganda in Germany in the Years 1933-1939
Ludvíková, Šárka ; Dolanský, Pavel (advisor) ; Shavit, Anna (referee)
The aim of this bachelor thesis is to present usage of propaganda and instruments to achieve the National Socialist German Workers' Party's objectives and goals in the period between 1933 and 1939. Besides describing the particular means of manipulating people's minds, it also deals with the concept of propaganda, it places the Nazi propaganda into its historical context and connects it with minister Joseph Goebbels. The first part provides the theoretical background to the topic. It deals with the historical development of propaganda and its name. The next chapter describes the historical events, which shaped the use of propaganda in Nazi Germany and helps us understand the ways propaganda developed. The third chapter focuses strictly at Joseph Goebbels and his Ministry for People's Enlightenment and Propaganda. The last, crucial part of this thesis describes the unique way the Nazis used the available media to spread their propaganda. It describes the totality of control of the Nazi party over the media in Germany and the unique position they had so they could adapt their message to apply their propaganda successfully and influence public opinion.
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The reflection of German cinematography in the Czech film press 1936-1939
Klvaňová, Veronika ; Bednařík, Petr (advisor) ; Dominik, Šimon (referee)
Bachelor thesis "Reflection of German cinematography in selected Czech film periodicals from 1936 till March 1939" records in what way Czech film periodicals reacted to the development and changes of the German cinematography in context of political and social transformations both nations underwent during the above-mentioned period. The thesis focuses on whether the film periodicals changed the way they reflected German cinematography during the period of escalating Nazi aggression towards Czechoslovakia and especially in the situation after the acceptance of Munich Agreement. The opening section covers broader historical and media context of Czechoslovakia in the era of the First Czechoslovak Republic. The next part describes and characterizes analysed film periodicals, weekly Kinorevue, Filmový kurýr and biweekly Filmové listy. Separate chapter is focused on German cinematography from its development during the period of mute films, throughout the changes caused by the introduction of audio films, until the German film industry was put under state control by Hitler and the film was used as a tool of Nazi propaganda. The final section deals with comparative analysis of articles in the above-mentioned periodicals reflecting German cinematography. The goal of this thesis is to find out, whether the...
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